Morphologica, Misha Kahn

Morphologica, Misha Kahn
Info
Product
Morphologica
Author
Misha Kahn
Description
The Morphologica armchair and sofa by Misha Kahn are made of an assemblage of modules – 12 for the sofa and 8 for the armchair – of sculpted polyurethane foam upholstered with bouclé wool.
Dimensions
Colours and materials
BW22
Cream
BW35
Hazelnut
BW910
Pistachio
BW174
Cyan
BW93
Green
BW70
Navy
BW20
Lilac
BW68
Ruby
BW36
Camel
BW41
Brown
BW53
Ochre
BW56
Mustard
BW3821
Grey
BW3814
Slate
Downloads
Morphologica - Technical specifications
Fabric folder - Bouclé wool
Morphologica, the visceral armchair

Morphologica challenges the established boundaries of production, disregarding the binary of form and function, and looking beyond the fixed paradigms of what’s organic or what’s rationalist, to craft objects of seemingly impossible architecture.
Morphologica is, first, a project that applies the logic of architecture and engineering to natural forms, seeking to isolate their intrinsic structure; then, it is an idea, sculpted in irregular volumes, evoked by the colour palette and bonded between foam and fabric; finally, it is the story of the encounter of akin sensibilities: Misha Kahn and Meritalia®. The American artist offers his visceral response to Meritalia®’s poetics, adding to its roster of designs a contemporary take on what makes art and design radical today.

Drawing incoherent inspiration from the body, Kahn looks past the conventional references to the beauty of the human body seen from the outside. Rather, the artist zooms in on the insides of the body, stimulated by the sensual softness of its components to create extra pulpous modular organic elements in fabric-covered foam.
Morphologica, the visceral armchair

The Morphologica armchair and sofa are made of an assemblage of modules – 12 for the sofa and 8 for the armchair – of sculpted polyurethane foam upholstered with fabric. The colour possibilities are endless, matches the multifariousness of the new Meritalia®’s pop-modernity. A solid metal structure allows for the roller coasters of foam to swirl, enmesh and expand, resulting in an experimental, sexy more than playful, and almost ‘shocking couch’, as Kahn himself defined it. In its inherent radical identity, Morphologica is a comment on the way we look at things, often en passant, and a call for engaging - rather physically - with the odd beauty of what is under the surface.